chipsfert.blogg.se

1. #Dxo viewpoint 2 not showing in the lr edit how to#
2. #Dxo viewpoint 2 not showing in the lr edit skin#
3. #Dxo viewpoint 2 not showing in the lr edit pro#
4. #Dxo viewpoint 2 not showing in the lr edit Pc#
5. #Dxo viewpoint 2 not showing in the lr edit series#

I am running an aging AMD based PC (Octa-Core FX8350 on 16GB RAM). I use an Acer E322Q 31.5 Inch Curved LCD monitor.

#Dxo viewpoint 2 not showing in the lr edit how to#

Low Soon Teong: What kind of monitor and how to choose the right type of computer to do the post processing? Windows or Mac?

#Dxo viewpoint 2 not showing in the lr edit skin#

Olympus files are also known to produce natural looking skin tones, which I find very easy to work with. I also rarely boost saturation of my images, especially when human subjects are present. Selectively adjusting different colors may achieve specific results (redder strawberries, or bluer skies) but it also will affect the overall balance of your images. I will adjust the white balance of my images (color temperature) and usually that alone is sufficient to achieve the color I find pleasing. How did you achieve that?Īn important lesson I have learned from my many years of post-processing is to not tinker with the color unnecessarily. Soumya Mukherji: I too like the vibrant colors in your images without them looking over saturated. Even a slight miss-focus, will cause a permanent, irrecoverable loss of sharpness. The images are sharp straight out of the camera. I never apply any additional sharpening (beyond the default sharpening of the software) to my images. Rusty Trust: How you get that crystal crispness but natural looking sharpness and details in your images? In post-processing, I simply boost the contrast of the image to achieve the look that I want. I will generally find subjects in good lighting (side, directional uneven light) to have distinct highlights and shadows within a single frame.

I generally like a lot of contrast in my images, that is just a personal preference. Matti Sulanto: How do you determine the overall tonality of each image and why you did what you did? Therefore, I will answer the remaining questions in the following list. If I had included all the questions in that video it would run for an absurd amount of time. how to achieve incredibly sharp images while maintaining a visually pleasing look, how I process the colors in my images to look very natural etc.). I tried to answer as many questions as I possibly can in the video (eg.

#Dxo viewpoint 2 not showing in the lr edit series#

To keep the video short, I intended to demonstrate 5 images only, but I thought it would be great to show my complete routine for a complete series of images used for an article in one video. I keep my editing as minimal as I possibly can.Īll images in this article were shot on an Olympus OM-D E-M1 Mark II and M.Zuiko lenses 45mm F1.8 or 25mm F1.8 Instead I am taking a batch of fresh images from a recent street photography session in Pudu, Kuala Lumpur and show you my image curation process, and demonstrate my simple and straightforward post-processing steps to get the final images shown in this article. Ming Thein also has an extensive, almost fail-proof approach to post-processing which you can find out about here. I believe this is easily available with a simple search on the Internet, and I do not intend to repeat the same. This is not a tutorial on post-processing techniques or a how-to-use-a-photo-editing-software video.

#Dxo viewpoint 2 not showing in the lr edit pro#

You can see how short the previewing and processing time of Capture One software is in the video above.ĭisclaimer #2: Let it never be said is not democratic even though one of us works for C1’s competitor 🙂 In all seriousness, workflow is a very personal and goal-oriented thing: depending on the task at hand, I might make one pass through PS, tether/convert in Phocus, use a combination of Autopano Pro and/or Helicon and PS, IG’s filters, LR mobile, or even Olympus SOOC JPEG. I found the Capture One Pro to work significantly faster than Olympus Viewer or Lightroom.

I still prefer Olympus Viewer 3 to optimize my Olympus RAW files (color balance, sharpness/details, noise reduction, etc) but that software is just unbearably slow for anything practical. Taking into consideration the numerous questions, I have made a short video.Ī quick disclaimer: I am not associated with Capture One Pro, the only reason I am using this software is the efficiency of handling Olympus RAW files. Before making that video, I asked for specific requests from my readers via a post on my own Facebook Page. Strangely, many readers have asked me for my “secret sauce” that I apply to my images and requested for a video showing my usual post-processing routine. I do minimal post-processing and very quick edits for images used in articles published here and on my own blog.